Category Archives: Weddings

My blogs on documentary wedding photography

Photo Books and Weddings

There is one question that is very relevant to present day photography – Do people still print the images from their digital camera?

Industry might pull out charts, graphs and all sorts of figures to show sales of photographic prints to a consumer market. The Art World might speak about an increasing trend of people buying Fine-art collectible prints. But, do we see people around our immediate surroundings making prints out of their digital images? Forget others, let us ask ourselves how many prints have we made out of the images shot using our own cameras?  Compare these numbers with the total number of images we open, edit and upload on photo-sharing websites and social networks, and what do we see?

I see an imbalance. At least in my case, I have made fewer photo prints of personal images.  And I have made archival quality prints  only when clients wanted to buy them, or for display in print exhibitions. These days even exhibitions have digital screenings and slide-shows.

Things have changed a lot from the time I was at school. Back then, I used to have a suitcase full of Photo-albums with images preserved in sleeves. Image sharing (showing-off) then meant displaying the physical album to visitors at home. Today, image-sharing has undergone a paradigm shift and it simply means pressing a ‘share button’ on the web which would push your digital album to all your friends at the same time. Image-sharing and Visual Communication have found newer mediums apart from print. This does not mean print-making is obsolete. It is just that the purpose of print-making is no longer the necessity of image sharing.

What then is the purpose of making photo prints?

I cannot possibly pin-point one reason. It could mean different things to different people. For some it is still the joy of traditional process of making photographic prints. But, in most businesses even print making is mechanized. Also, they say that there is an increase in the sales of digital photo frames!

Hence, it would interesting to know what determines an individual to go for photo prints. It could be an individualistic reason to go for a print. But, there surely is some joy in holding on to a tangible photograph in your hand than just seeing it on a tablet PC. I still get excited every-time I hold a photograph in my hand, even if the photograph is from a photo-booth at a mall.

One important observation is that it is a small percentage of digital images that we print when compared to the total amount of digital images we have in our memory(cards). So there is some specialty that people attribute to certain images which could be just one of the driving factors to go for a print. It could be that an occasion, an event, a place or a person that was photographed means something special to somebody. It could be anything…

Today, the medium of a print has gone beyond traditional photo-papers to coffee-mugs, posters, postcards, calendars, T-shirts, photo-books, and so on. This is an ever-expanding list of items. I once received a non-photographic gift but it was inside a gift-wrap on which were printed  images from the special times I shared with someone.

Photo-books seem to have emerged as a nice alternative to traditional photo albums. As an independent photojournalist &  documentary photographer, I prefer to distribute my photo stories through photo books. My project, “Fistful of Dreams ”  is available  as a Photo-Book and as well as an eBook.

Photo-Books (also commonly called as Coffee Table Books) have improved a great deal in quality in the recent years. There are many players in this business that tap on to the Print-on-demand market. For Fistful of Dreams I used US-based Blurb.com . Apart from creating photo-books for personal projects, I create photo-books for my clients too.

Since the day I went independent as a visual story-teller, a large part of my non-editorial clients have been from the weddings (apart from a spurt in the number of clients wanting multimedia projects). Today, wedding photography in India is seeing renewed interest and recognition. Especially contemporary wedding photography that involves documentary/photojournalism style of photography has garnered interest from young couples. I have been shooting weddings for clients by donning the hat of an embedded documentary photographer. And it feels good to have been recognized in the mainstream media for it.

For most of the weddings projects that I document, the clients are usually in India and Blurb is not a feasible option to make photo-books for them. The reasons for this are the over-head shipping costs to India and the long turn-around time (usually two weeks) for Blurb to process the order and ship a book to India. Hence, I had been looking for an alternative photo-book player in India.

Recently, I tried the India based Canvera, for creating photo books. I tested it by creating a 6×9 landscape Photo-book with a custom cover and I used their Free-life Art paper to make the pages. I was impressed by the quality of the Photo Book that I received. Also, since it is located in India the turn-around time (couple of days) at which my order was processed was fast. I think I will be use Canvera as one of the options for making photo-books for my clients in India. What I have shared above is a slide-show giving an overview of  the design of the first photo-book I made using Canvera. I have used images from my own engagement for this sample book.

P.S: The end result is that my fiancée is impressed!

 

Mobile phone snapshot of my Photo Book's cover page as I opened the shipment.

(Note: If you like my work, then please do share the link to this website with others. Also, if you’d like to support me in my projects, then feel free to do it via Flattr , a social micro-payment system. Alternately, you can even buy my Books/E-books. Or maybe even buy a fine-art print.)

 

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Embedded Wedding Photography in Postnoon Newspaper

Captured For Life : Article in Postnoon that showcased my Embedded Wedding Photography

When I began applying Visual Story-telling approach towards photographing people outside of traditional media assignments, I was very clear that I had to increasingly play the role of an embedded journalist. Years that I spent in mainstream media had convinced me that being a passive observer in the assignments did not help me to get down to the heart of the matter.  I became an embedded documentary photographer in all my long-term projects and focused on bringing out the perspectives of the people whom I documented in my images. It was about establishing trust with the subjects so that they are comfortable with my presence ( and my camera) in their daily lives.

Indian weddings, traditionally have had a photographer who only arrives on the day of the wedding rituals and meets the  couple for the first time while shooting their wedding. There was hardly any interaction between the photographer and the people who were being photographed. It was more like being a stranger seated along with a family around the dinner table.

How comfortable would this dinner be? Can this stranger understand the conversations around the table? Would he know the language? Would he know the relationships?

Perhaps, the answer for all the questions above would be towards the negative side.

In my honest opinion, wedding photography at its finest is a documentary photography project. Justice to this project needs an embedded journalist’s approach. One cannot be a complete stranger to the people being documented in images. This is where I took to embedded wedding photography. In every wedding that I have photographed, I’ve strived to capture intimacy in my images. The trust I build with my subjects gives me the freedom, space, and ‘the right,’ to capture their roller coaster emotional ride through wedding rituals.

Internet has been a great boon to wedding photographers to reach out to their market. Today, It is relatively easier for couples to find on Facebook, young wedding photographers offering various packages to suit everybody’s budget. I see a lot of young blood in the industry.  Some are full-time into the business while some are doing to earn an extra income. Each photographer has an interesting portfolio.

The way they are positioning themselves to prospective clients is diverse. They call themselves with different titles – Contemporary Indian Wedding Photographer, Fine-art Indian Wedding Photographer, Candid Wedding Photographer and so on. The highlight in most of these portfolios is pre-wedding and post-wedding portraits of the couple. It seems to work well in marketing and acquiring clients. The couples seem to love this idea. Good for the business!

But, is wedding photography all about just portraits? Isn’t wedding an important event in one’s life? Isn’t it about an important day, or an entire week in one’s life? Isn’t there a story to be captured and told? Would a wedding be complete with just pre-wedding and post-wedding portrait shoots, but misses the joy, emotions, tears, laughter and all the celebration that take place during the wedding?

I guess not. I am a story-teller, I believe there is story to be told in every wedding. For me it is about making commitment to the task of documenting the wedding at its finest.

I always marketed myself as an Embedded Wedding Photographer, or as a Documentary photographer doing Embedded Wedding Photography. Amongst my peers, I saw very few photographers calling themselves as Documentary photographers  and their work as embedded wedding photography.

So, did it mean I had to re-position my brand with what is popular in market?

No. It is not just a brand, but the complete philosophy behind the work I do. I could not have discarded it. I believed that it would eventually get its due.

And finally, it seems to be seeing the daylight.

PostNoon, a daily afternoon newspaper in Hyderabad city, India, has today (February 18th, 2012) carried a double spread article with photos on Embedded Wedding Photography. It has showcased my work along with the works of two other photographers – Aditya Mopur and Madhu Reddy. The image shared above is the tearsheet of the article. All the images on Page 16 (left side page) of the article are my works.

I am happy to see that ‘Embedded Wedding Photography‘ is doing the rounds in the mainstream media. I hope this will encourage more photographers who are story-tellers in the world of Wedding photography.

The article titled ‘Captured For Life’ can be read on the PostNoon’s online news-site too. To read it in the actual layout of the print, you can read it as E-paper too.

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Wedding photography by an embedded journalist

A bride reaching out to her mother, while the latter is slowly being pulled away from her by their relatives. A Bidaai Scene, Bangalore, 2010. © Nishant Ratnakar

There is one particular moment during Hindu weddings that can get emotionally charged. It is the time of Bidaai, or the ritualistic farewell given to the bride by her family. If most rituals of Indian marriages are about joy and celebration, then Bidaai is about shedding tears, and more tears. This is especially true in the case of North Indian Weddings, where no stone is left unturned to put up a gala Wedding show.

My embedded eyes, and my camera, have been witness to many situations where the bride breaks down to a background chorus of her relatives singing songs of farewell. The toughest man during an Indian wedding, they say, is a bride’s father. But, I have seen this tough man melt like chocolate in these situations.

Wedding is a personal affair, and camera they say is an intrusive device. To capture the highs and lows, and every fleeting moment of this personal affair in its intimate and candid form, the photographer cannot be an outsider. A photographer has to transform from being a stranger to a trusted friend, whose responsibility in the wedding is to freeze memories that last a lifetime.

To achieve this, I extend the idea of embedded journalism  and documentary photography into wedding photography. I embed myself into the lives of the couple whose wedding I document. Their friends become my friends, their relatives become my friends, and in this process of building trust and relationship, I finally become an insider. I am always welcome in any moment during the wedding. But I’ll be one guest who shall remain invisible in the wedding photographs:).

This is my philosophy in documenting every wedding. And here’s the link to my updated wedding portfolio where I use this style.

Embedded Weddings by Visual Story-teller

Yes, I am a story-teller. Feel free to share this story of mine. If you are interested in having me as the photographer to capture your special moments, then please take a look at the package that I offer and use the contact-form to write to me about the details of your wedding.

(Note: If you like my work, then please do share the link to this website with others. Also, if you’d like to support me in my projects, then feel free to click the ‘flattr’ button at the bottom of the post. Flattr is a social micro-payment system. )

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